Designed by Volker Schnebel, Bartosh is a sans serif font family. This typeface has twelve styles and was published by JPFonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Bartosh is the American short form for Bartholomew. Although I chose this font name because of its sound and its short conciseness, I also liked the fact that Bartholomew had been one of the 12 apostles who had worked in India and Iran and the idea that his spirit could be the inspiration for my work. Bartosh was designed for display on the screen: the large x-height and the clear, open shapes facilitate readability. As a result, it develops a strong expression of character and makes it ideal for headings or highlighting individual text passages – it is ideal for captions of any kind. In each of the six weights, it unfolds its own and special charm. The extra-bold version is particularly noteworthy because fonts in this stroke width are rare and it is precisely these...
Designed by Jeff Levine, Flower Shop JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 A piece of sheet music for “Broken Blossoms” circa the 1920s or early 1930s has its cover title hand lettered in a wide thick-and-thin Art Deco design. This is now available as Flower Shop JNL , in both regular and oblique versions. Flower Shop JNL
Designed by Alexander Bobrov, Linn Boyd Benton and Morris Fuller Benton, Selectric Century is a serif font published by Indian Summer Studio. Download Now Server 1 Download Now Server 3 Download Now Server 2 Also known as Schoolbook. 900+ glyphs. After Linn Boyd Benton’s and Morris Fuller Benton’s 1894 lower contrast version of Scotch Modern, Didone. The part of the large project on revival and further development (by drawing many additional glyphs) of the 20th century’s typewriters’ fonts. And especially the most famous, versatile and beautiful typewriter: IBM Selectric’s golfball fonts, lost for the civilization for many decades after ‘80s, not being created since then in digital vector form. This new sub-project started in July 2018 for the restoration of the most beautiful classical typefaces, used during the 20th century on the extremely rare now IBM Selec...